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Print Room Ltd

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Product Details

  • A remarkable print lies in the quality of its paper. We have chosen the esteemed Hahnemühle German Etching Paper for its unparalleled texture and durability. This heavyweight paper, with its fine grain and velvety surface, elevates each print, ensuring a depth and clarity that is truly extraordinary.
  • All our Premier Artwork Prints include a border and framing instruction to ensure you don't crop any of the image if you decide to have it framed elsewhere. Do get in touch for further details of our bespoke framing service at admin@printroomltd.co.uk
  • Giclée printing captures every nuance of the original artwork. The result is a stunning display of vibrant colours and intricate details, bringing each piece to life with an almost tangible realism
  • To further enhance the beauty of our prints, each one is offered with the option of a bespoke frame. Handcrafted by skilled artisans, these frames are tailored to each piece, adding a level of sophistication and personal touch that transforms your print into a ready-to-display work of art.
  • Our mounts are carefully chosen to size perfectly with each piece and enhance any artwork Framed Print.
  • Lastly, all our product are sustainably sourced and manufactured under the ArtSure quality programme to ensure you the best experience.

To read more please visit our 'Why Print Room?' page, linked in the top menu.

A Bouquet of Flowers | by Print Room Ltd

A Bouquet of Flowers | by Print Room Ltd

Clara Peeters, a Flemish artist around 1612, is currently showcased at The Met Fifth Avenue in Gallery 617. Peeters is heralded as a pioneering figure in the realm of European still life, a domain that notably welcomed numerous female artists restricted from studying nude models. In this intricate composition, Peeters meticulously captures naturalistic elements such as dewdrops, signs of insect nibbling, and wilting tulips, subtly alluding to the themes of transience and decay. Moreover, she boldly marks her accomplishment by etching her signature onto the stone ledge, accompanied by a dislodged sprig of forget-me-nots. The sharp delineations and precise depiction inherent in her work underscore the intimate relationship between floral art and botanical sketches, particularly during the era of the Scientific Revolution.

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