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- A remarkable print lies in the quality of its paper. We have chosen the esteemed Hahnemühle German Etching Paper for its unparalleled texture and durability. This heavyweight paper, with its fine grain and velvety surface, elevates each print, ensuring a depth and clarity that is truly extraordinary.
- All our Premier Artwork Prints include a border and framing instruction to ensure you don't crop any of the image if you decide to have it framed elsewhere. Do get in touch for further details of our bespoke framing service at admin@printroomltd.co.uk
- Giclée printing captures every nuance of the original artwork. The result is a stunning display of vibrant colours and intricate details, bringing each piece to life with an almost tangible realism
- To further enhance the beauty of our prints, each one is offered with the option of a bespoke frame. Handcrafted by skilled artisans, these frames are tailored to each piece, adding a level of sophistication and personal touch that transforms your print into a ready-to-display work of art.
- Our mounts are carefully chosen to size perfectly with each piece and enhance any artwork Framed Print.
- Lastly, all our product are sustainably sourced and manufactured under the ArtSure quality programme to ensure you the best experience.
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Tyrolean Serenity: Spiraea aruncus Botanical wall art print | By Print Room Ltd
Tyrolean Serenity: Spiraea aruncus Botanical wall art print | By Print Room Ltd
Title: "Tyrolean Serenity: Spiraea aruncus"
Artist: Anna Atkins
Nationality: British
Date: 1851-1854
"Tyrolean Serenity: Spiraea aruncus" stands as a pioneering piece in the history of photography and botanical illustration, crafted by the distinguished British artist Anna Atkins between 1851 and 1854. This cyanotype, a photographic print of the flowering Tyrolean shrub Spiraea aruncus, represents a significant milestone as the first-known photograph by a woman in the Museum's esteemed collection.
Anna Atkins, known for her profound contributions to art and science, produced this work as part of a remarkable album titled "Cyanotypes of British and Foreign Flowering Plants." In 1854, she inscribed this collection as a heartfelt gift to Anne Dixon, a close family friend and collaborator with familial ties to the famed novelist Jane Austen.
The cyanotype process, a method invented in 1842 by Sir John Herschel and famously known for its blueprint aesthetic, captures the delicate structure of the Spiraea aruncus with a striking vibrancy. The rich blue hues and ethereal silhouettes not only showcase Atkins' mastery of this technique but also her meticulous attention to the intricate details of natural forms.
Although not currently on display, "Tyrolean Serenity: Spiraea aruncus" is a testament to Atkins' artistic vision and a celebration of her role as a trailblazer for women in photography. It is an exquisite example of the intersection between art and the emerging scientific practices of the time, making it an essential piece for collectors and admirers of historical photography and botanical studies.
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